By
Glenn Weiser
Before
the early 1960s, a folk song was basically an old ballad
of unknown authorship. But as singer-songwriters, starting
with Bob Dylan, appeared on the scene, controversies raged—and
still do—over the term’s meaning. Folk-music maven Wanda
Fischer, a blonde, 60ish woman whose WAMC radio show The
Hudson River Sampler celebrates its 25th anniversary
this weekend, won’t touch the question even though she
knows the genre intimately. To paraphrase Justice Potter
Stewart, she can’t define it, but she knows it when she
hears it. “The ‘What is folk music’ debate is not winnable,”
she wrote in a recent e-mail interview. “I play what I
like and what I consider to be folky. It is a matter of
taste, and I won’t deny it.”
Fischer’s
taste, however, is unimpeachable, being informed by decades
of listening to everything within folk’s admittedly ambiguous
bailiwick: bluegrass, blues, Celtic music, protest songs,
early country music, contemporary singer-songwriters,
and acoustic instrumental masters. She is also a singer
and a guitar player, with a CD (Singing Along with
the Radio) of her own. Consequently, what her listeners
get is a knowledgeable selection of songs offering something
for every kind of folk fan. “Wanda’s gracious personality
and good taste boosts the reputation of folk music,” Sarah
Craig, the director of Caffe Lena, said in an e-mail.
“I always feel confident that all is alive and well with
folk music after an hour spent listening to Hudson
River Sampler.”
Wanda
Fischer was born in Kingsport, Tenn., where her father
was friends with Maybelle Carter and others of the famous
singing family. After serving in World War II, her father
couldn’t find work back in Tennessee, so the family moved
to Weymouth, Mass., near her mother’s hometown of Boston
(her parents met at Beantown’s long-gone Hillbilly Ranch).
She grew up with roots music: “Folk music—particularly
old-timey stuff and bluegrass—was always a part of the
home scene, and when we went to visit my father’s family
every summer, members of the Carter family would visit,
and when they opened the Carter Family Fold, we went there
to sing, play, and just listen,” says Fischer, adding,
“I have some great photos of my father and June riding
on my dad’s motorcycle.”
By
the mid 1960s she was frequenting folk coffeehouses in
Harvard Square and hitting the Newport Folk Festival in
the summer (she was there when Arlo Guthrie premiered
his famous rambling antiwar saga, “Alice’s Restaurant”).
“I saw many legends back then without knowing they were
legends—Mississippi John [Hurt], Bill Monroe, Richard
and Mimi Farina, Ian and Sylvia, etc.”
Fischer,
like many other folk fans at the time, also became an
antiwar activist, and once saw a young John Kerry address
100,000 protesters at a peace rally on the Boston Common
when he was with Vietnam Veterans Against the War.
After
receiving an English degree in 1975 from Northeastern
University, she moved to Worcester, Mass., with her husband
Bill, a medical student. While he was in school there,
she volunteered for a local community radio station, WCUW-FM,
at first producing their program guide. When the host
of the station’s folk show left, Fischer took over the
microphone, and learned how run a board, edit tape, and
other technical skills. She captained the show for the
next four years.
The
Fischers moved to the Albany area in 1979 when Bill began
his residency here. Wanda plunged into the local folk
scene, which at the time consisted mainly of weekend concerts
at the Eighth Step and Caffe Lena, the late Jackie Alper’s
Sunday-evening WRPI show Mostly Folk, the weekly
hootenannies of the Pickin’ and Singin’ Gatherin’, and
the Fox Hollow festival in Petersburg. In the process,
she became fast friends with Alper, a venerable folkie
and leftist who had performed with Woody Guthrie and Pete
Seeger in the Almanac singers, and was musicologist Alan
Lomax’s personal secretary.
Looking
to get back into radio, Fischer got involved with WAMC,
then broadcasting from the WMHT studios in Rotterdam,
by designing their program guide. History repeated itself
when in 1982 WAMC honcho Alan Chartock offered her a folk
show, which now airs Saturday evenings from 8 to 10:30
PM on 90.3 FM and its regional mirror stations, as well
as online in streaming audio at www.wamc.org. The broadcast
debuted on Sept. 18 of that year, and the left ends of
local and regional FM-radio dials have been happier ever
since.
So
what can you expect to hear on the Hudson River Sampler?
“Just about everything,” Fischer says. “Traditional, contemporary,
folk, blues, bluegrass, old-timey, political music. However,
my taste runs to the more acoustic. I don’t like heavy
production—big drums, big organs, big horn sections, etc.
I like the recordings that sound like what it might sound
like to hear the acts in person.”
This
broad range of styles notwithstanding, she is still choosy
about what she spins while allowing for spontaneity. “I
only get to play between 30 to 35 cuts every week, and
we have about 10,000 CDs in the library at WAMC, so I
am selective. I put together sets of things that seem
to ‘belong’ together, whether thematically or musically.”
Fischer
mostly improvises her playlists in the studio. “I don’t
plan out my show before I go to the station every week.
I usually pull out a few things that I have been thinking
about all week and then let it flow. I’m constantly running
back and forth to grab this or that CD from the library.”
A look at last Saturday’s slate (viewable online at www.wamc.org/prog-hudson.html)
showed she played cuts from both national and local artists,
including Roger McGuinn, Anne Hills, Phil Ochs, the Hunger
Mountain Boys, Paul Straussman, and Christopher Shaw.
Naming
her favorite artists, she says she prefers traditional
musicians and singer-songwriters. Her top picks? “Whew,
that’s a long list. I could play John Kirk’s ‘Shenandoah’
every week, but I don’t. Connie Kaldor, John McCutcheon,
Bill Staines, Gordon Bok, Anne Hills, Priscilla Herdman,
Cindy Mangsen, Steve Gillette, Chris Shaw, Bridget Ball,
David Roth, Bernice Lewis, Cheryl Wheeler. Kim and Reggie
Harris, and Magpie. And the list could go on. The theme
song for my show all these years has been ‘Big Dark’s
Fancy’ by Cindy Kallet. She’s wonderful as well.”
At
least one from that list, singer-songwriter Bernice Lewis,
will share the bill tomorrow (Friday) at a 25th-anniversary
concert at the Linda Norris Auditorium with a lineup of
performers cherry-picked by Fischer. Also appearing will
be fellow songsmiths Jonathan Edwards, Debra Cowen, and
Pat Wictor, and rootsy fingerstyle-guitar ace Toby Walker.
Twenty-five
years on, Wanda Fischer isn’t slowing down a bit. “As
long as it’s fun,” she says, “I’ll keep on doing it.”
The
Hudson River Sampler 25th Anniversary Show takes place
tomorrow (Friday) night at the WAMC Performing Arts Studio
(339 Central Ave., Albany). Tickets are $25, and can be
reserved by calling 465-5233 ext. 4. Hudson River Sampler,
the radio show, airs Saturdays from 8 to 10:30 PM on WAMC
90.3 FM.