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PHOTO: Chris Shields |
School
of Jazz
From
singing bus girl to acclaimed new artist, Sarah Pedinotti
is making the most of her unusual musical education
By
Kirsten Ferguson
She’s
got a backstory that any reporter or record label could love.
From the age of 12, Sarah Pedinotti spent many nights in her
family’s Saratoga Springs jazz bistro, One Caroline Street,
where the budding singer bussed tables and sang jazz standards
along with leading players in the jazz world. Acclaimed local
pianist Lee Shaw took Pedinotti under her wing and would invite
the teenager up to sing during Shaw’s One Caroline sets. And
during the summers from 1996 to 1998, members of the Wynton
Marsalis Lincoln Center Jazz Orchestra would show up at the
bistro to blow off steam after playing at the Saratoga Performing
Arts Center.
Those spontaneous, anything-goes sets by pianist Eric Lewis,
trumpeter Marcus Printup and drummer Ali Jackson were a revelation
to jazz lovers in attendance, including Pedinotti. “After
hours they would be full of this energy and music and they
would come to One Caroline and want to jam,” she says. “They
would play wherever they were in the room. Ali Jackson would
be playing pots and pans as drums. I was a kid, so to me this
was the most exciting thing to be around—the energy and the
joy. They loved playing so much they couldn’t stop. I begged
my mom to let me stay up really late.” Fortunately, an understanding
mother allowed Pedinotti to partake in the late-night jam
sessions, and one attendee at the time recalls with awe a
night when Jackson banged out the beat on a restaurant chair
and a little 12-year-old Pedinotti stood up to sing with the
group.
A backstory like this one is invaluable because record labels
can’t pay for that kind of authenticity, and reporters love
to find the beginning of a story already written. The record
labels will be on hand tonight (Thursday) when Pedinotti,
now 23, will play a showcase at the Egg’s Swyer Theater. (The
theater’s 450 seats are nearly sold out, although Pedinotti
suspects some tickets may be released the day of the show.)
The Egg show, to be attended by at least two major record
labels and one prominent independent label, is a chance for
the music industry to “hear us in a setting that’s more conducive
to the music, on a stage where the acoustics are beautiful
and we’ll be able to put on a show,” Pedinotti says.
Although she recently signed to a Hoosick Falls-based artist-management
company that represents national jazz and classical performers,
Pedinotti doesn’t consider herself a jazz singer, per se.
Her father’s record collection, filled with the big-band and
swing music of his father’s generation along with the American
folk music of the ’60s that he loved, such as Bob Dylan, has
always been an influence. And with four music-loving siblings,
three of them older, Pe dinotti was exposed to underground
rock bands like the Velvet Underground, while her sister played
her dance tunes by Ma donna and Michael Jackson.
“I
grew up in a jazz restaurant and people know me as the singing
bus girl, singing jazz standards,” Pedinotti says. “But I’m
a song writer, and I’m influenced by an eclectic mix of mu
sic. I love Americana, roots music, the old blues, folk, rock,
it’s all in there.”
She started writing her own music at age 15, and after graduating
from high school in Galway, attended the Berklee College of
Music in Boston. “I went away to school and discovered how
much I love rock & roll,” she says. “At college I would
experiment with different sounds and players. I got really
into the rock scene. It was cool to be able to break away
from people knowing me as a jazz singer. But coming back here
was always great too.”
In the summers upon returning home from college, Pedinotti
would team up with local drummer Chris Carey and jazz pianist
Dave Payette, who have been part of her band since they all
met at age 19. Her bassist Tony Markellis, who joined later,
is an old-hand in the national music scene. A Grammy nominee,
the Saratoga Springs resident has toured with Phish guitarist
Trey Anastasio and the Mamas and the Papas. “I was very flattered
that he wanted to be in my band,” Pedinotti says.
Pedinotti eventually found that music school, which she left
with two semesters to go before graduation, couldn’t compare
to the real-world education at her parents’ restaurant. “I
learned so much at One Caroline,” she says. “I learned a lot
through the feeling and stories of other musicians. It was
such an education for me. Going to musical school really can’t
teach you that sort of thing. I did learn a lot about theory
and the technical aspects of music. But they can’t teach you
soul. That you have to live to learn.”
Pedinotti and her band continue to play every Wednesday and
Friday night at One Caroline Street Bistro, along with other
local gigs. (The quartet will be joined by pedal-steel guitarist
Kevin Maul for Thursday’s Egg show.) And the singer-songwriter
currently is finishing up her third self-released album, City
Bird, for release this spring. Her MySpace page offers
a glimpse of rough mixes from the all-original City Bird
songs, which display Pedinotti’s idiosyncratic lyrics and
unconventional vocals.
“I
like stories a lot,” she says, explaining the inspiration
behind her songwriting. “We live in a nut house. Everyone
is crazy in one sense, although they don’t know it. I fit
in there somewhere. In this ’scape of the world, there is
a lot to write about. All these crazy people and their stories.
It’s a never-ending sea of stories that have already been
told but are constantly being recycled in new ways. I’m tapping
into them.”
The
Sarah Pedinotti Band will perform tonight (Thursday, March
29) at 8 PM at the Egg. Tickets are $20 or $10 with student
ID at 6 PM. For more information, call the Egg at 473-1845.
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